Cheap philosophy, rubber shoes in Buenos Aires
My trip to Buenos Aires started with me getting scammed by a taxi driver. I watched the outskirts merge into bus routes, bus routes into metro lines, and was welcomed by Isa at her aunt’s house planted between tall, narrow walls in provinces laced with vines.
Women wore rayon dresses and smoked cigarettes. Men wore bulky tees and smoked cigarettes. There were palm trees and maroon sidewalks. Orange buses with blue curtains. Haircuts with short bangs.
On the radio, I overheard Charly García’s 1990 Argentine rock album “Filosofía Barata y Zapatos de Goma” after which this article is titled. I became captivated by the music that captured my image of the city: impulsive, sporadic, and spellbinding, like a muse of its own heartbreak. García sings about heartbreak in his album, too, dedicated to ex-lover Zoca.
At the Cementerio de la Recoleta, Eva Peron’s once-occupied tomb lingered a loud silence of change. The time wheel turned with our shadows, reflecting off of broken glass panes and statues of faceless relics.
Later that day we went to the warm pool on Isa’s apartment roof that overlooked the concrete jungle of streets with no names. I drank herbal matte with hay and ate my first dulce de leche helado with Abril, Isa’s cousin.
People watching was simple at a cafe in front of tango dancers and the colorful community center of Recoleta rushing with upscale creativity. By this time, I gathered a set of unspoken rules that porteños (“people of the port”) collectively sign to:
Standing away from the sidewalk when crossing the road to avoid biker pickpocketing;
The night starts at 2 a.m. with home-cooked meals.
On day three, it rained. The emblematic market stands were infused with herbal incense, clinking chimes of hanging beads, and marching Murga. The owners started packing their displayed handbags and jewelry as the sun rays became one with each falling raindrop.